What if we stood up with our synapses and flesh and said. And coming in future weeks, is a conversation with a technologist and artist named James Bridle, whose point is that language itself, the sounds we made and the words we finally formed, and the imagery and the metaphors were all primally, organically rooted in the natural world of which we were part. Because I love this poem, and no one has ever asked me to read this poem. We orient away from the closure of fear and towards the opening of curiosity. Yeah, it was completely unnatural. Krista Tippett is a Peabody-award winning broadcaster, National Humanities Medalist, and New York Times bestselling author. If you think about it, its not a good I just set my wash settings to who Id like to be in 2023: Casual, Warm, Normal., Limn: Yeah, that was true. Replenishment and invigoration in your inbox. But in the present era of tribalism, it feels like weve reached our collective limitations Again and again, we have escalated the conflict and snuffed the complexity out of the conversation.. And the last voice that you hear singing at the end of our show is Cameron Kinghorn. Wisdom Practices and Digital Retreats (Coming in 2023). Tippett: Were back at the natural world of metaphors and belonging. . Tippett: So at this point in my notes, I have three words in bold with exclamation points. Tippett: And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. thing, forever close-eyed, under a green plant. We point out the stars that make Orion as we take out Because I was teaching on Zoom, and I was just a face, and I found myself being very comfortable with just being a face, and with just being a head. Our lovely theme music is provided and composed by Zo Keating. And I wonder if you think about your teenage self, who fell in love with poetry. Tippett: I dont expect you to have the page number memorized. When you find a song or you find something and you think, This. I never go there very much anymore. like the flag, how it undulates in the wind But when we talk about the limitations of language in general, I find language is so strange. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. and the stoic farmer and faith and our father and tis us, still right now, a softness like a worn fabric of a nightshirt, and what I do not say is: I trust the world to come back. Copyright 2023, And if youd like to know more, we suggest you start with our. Copyright 2023. Yeah. you look back and beg And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? And were you writing. Its got breath, its got all those spaces. when Stephen Colbert was doing the earlier show, and he had this one skit where he said, I love breathing, I could do it all day long., And I always think about that because of course, its so ironic that we have to think about our breath. two brains now. Find many great new & used options and get the best deals for Becoming Wise: An Inquiry into the Mystery and the Art of Living by Krista Tippe at the best online prices at eBay! some new constellations. We prioritize busyness. What is the thesis word or the wind? Too high for most of us with the rockets. And it wasnt until really, when I was writing that poem that the word came to me. Page 40. cigarette smoke or expertise in recipes or, reading skills. Limn: I love it. could save the hireling and the slave? Dacher Keltner and his Greater Good Science Center at Berkeley have been pivotal in this emergence. enough of the animal saving me, enough of the high So you get to have this experience with language that feels somewhat disjointed, and in that way almost feels like, Oh, this makes more sense as the language for our human experience than, lets say, a news report.. At human pace, they are enlivening the world that they can see and touch. Between. It was interesting to me to realize how people turned to you in pandemic because of who you are, it sounds like. Ive got a bone Why dont you read The Quiet Machine? The wonder of biomimicry. Its a prose poem. Its the thing that keeps us alive. KRISTA TIPPETT, HOST: We're increasingly attentive, in our culture, to the many faces of depression and its cousin, anxiety, and we're fluent in the languages of psychology and medication.But depression is profound spiritual territory; and that is much harder . The Pause is our Saturday morning ritual of a newsletter. But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. maybe dove, maybe dunno to be honest, too embryonic, too see-through and wee. The one that always misses where Im not. Enough of osseous and chickadee and sunflower And I love it, but I think that you go to it, as a poet, in an awareness of not only its limitations and its failures, but also very curious about where you can push it in order to make it into a new thing. And also that phrase, as Ive aged. You say that a lot and I would like to tell you that you have a lot more aging to do. For me, I have pain, so Ive moved through the body in pain. The fear response, the stress response, it had so many other kinds of ripple effects that were so perplexing. And it was this moment of like, Oh, this is abundance. Oh, definitely. When I lived in New York City, my two best friends, I would always try to get them to go to yoga with me. the date at the top of a letter; though Tippett: Was there a religious or spiritual background in your childhood there, however you would describe that now? Our closing music was composed by Gautam Srikishan. thats sung in silence when its too hard to go on, We keep forgetting about Antlia, Centaurus, Its so interesting because I feel like one of the things as you age, as an artist, as a human being, you start to rethink the stories that people have told you and start to wonder what was useful and what was not useful. is an independent nonprofit production of The On Being Project. and desperate, enough of the brutal and the border, SHARE 'It's a hard time in the life of the world' a conversation with Krista Tippett. And there are times where I think people have said as a child, Oh, you come from a broken home. And I remember thinking, Its not broken, its just bigger. Good, good. to pick with whoever is in charge. Mosaque Liste Walking in Wonder Eternal Wisdom for a Modern World - ebook (ePub) John Quinn . Limn: And then Ill say this, that the Library of Congress, theyre amazing, and the Librarian of Congress, Dr. Carla Hayden, had me read this poem, so. "Right now we are in a fast river together every day there are changes that seemed unimaginable until they occurred." adrienne maree brown and others use many . I have, before, been, tricked into believing So my interest, when I get into conversation with a poet, is not to talk about poetry, but to delve into what this way with words and sound and silence teaches us about being fully human this adventure were all on that is by turns treacherous and heartbreaking and revelatory and wondrous. On Being with Krista Tippett is about focusing on the immensity of our lives. Tippett: So the poem you wrote, Joint Custody. You get asked to read it. Youre going to be like, huh. Or youll just be like, That makes total sense to me., At the top of the mountain I was actually born at home. Also: Kristin Brogdon, Lindsey Siders, Brad Kern, John Marks, Emery Snow and the entire staff at both Northrop and the Ted Mann Concert Hall of the University of Minnesota. Its the , Limn: We literally. Right now we are in a fast river together every day there are changes that seemed unimaginable until they occurred. adrienne maree brown and others use many words and phrases to describe what she does, and who she is: A student of complexity. Sometimes it sounds, sometimes its image, sometimes its a note from a friend with the word lover. But its about more than that. the ground and the feast is where I live now. The On Being Project What was it? Exactly. She loves the ocean. I feel like theres so many elements to that discovery. And then what we find in the second poem is a kind of evolution. And the Sonoma Coast is a really special place in terms of how its been preserved and protected throughout the years. Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. and hand, the space between. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. The next-generation marine biologist Ayana Elizabeth Johnson would let that reality of belonging show us the way forward. Join our constellation of listening and living. And I feel like poetry makes the world for that experience, as opposed to: Im fine., Tippett: [laughs] Yeah. and the one that is so relieved to finally be home. Krista Tippett; Filtrer Krista Tippett Voir les critres de classement. My familys all in California. We surface this as a companion for the frontiers we are all on just by virtue of being alive in this time. You boiled it down. Thank you all for coming. And this, it turns out, is also a primary source of his tethering in values. And they would say, I dont want to go to yoga. And I was like, Why? And they said, I just dont want anyone telling me when to breathe.. , there are these two poems on facing pages, that both have fire in the title. I think I trusted its unknowing and its mystery in a way that I distrusted maybe other forms of writing up until then. Theres whole books about how to breathe. How are you?. Tippett: No, theres so much to enjoy. We are in the final weeks as On Being evolves to its next chapter in a world that is evolving, each of us changed in myriad ways weve only begun to process and fathom. The poets brain is always like that, but theres a little I was just doing the wash, and I was like, Casual, warm, and normal. And I was like, Ooh, I could really go for that.. It wasnt used as a tool. of the mother and the child and the father and the child It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limns publisher, Milkweed Editions. So my interest, when I get into conversation with a poet, is not to talk, poetry, but to delve into what this way with words and sound and silence teaches us. And that is so much more present with us all the time. are your bones, and your bones are my bones. We practice moral imagination; we embrace paradoxical curiosity; we sit with conflict and complexity; we create openings instead of seeking answers or providing reductive simplicity. And I think it was that. The fear response, the stress response, it had so many other kinds of ripple effects that were so perplexing. Was there a religious or spiritual background in your childhood there, however you would describe that now? And both parents all four of my parents, I should say would point those things out, that special quality of connectedness that the natural world offers us. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. We can forget this. So I think thats where, for me, I found any sort of sense of spirituality or belonging. Page 20. And then what happened was the list that was in my head of poems I wasnt going to write became this poem. Replenishment and invigoration in your inbox. And I was in the backyard by myself, as many of us were by ourselves. Just back to this idea that there is this organic automatically breathing thing of which were part, and that we even have to rediscover that. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. Editor's note: This Q&A has been adapted from the podcast "Interfaith America with Eboo Patel.". In all kinds of lives, in all kinds of places, they are healers and social creatives. I have your books, and theres some, too. I trust those moments where it feels like, Oh, right, this is a weird. Language is strange, and its evolving. Tippett: I do feel like you were one of the people who was really writing with care and precision and curiosity about what we were going through. Find them at, Dedicated to reconnecting ecology, culture, and spirituality. Tippett: Okay. Yeah, there wasnt a religious practice. And then there are times in a life, and in the life of the world, where only a poem perhaps in the form of the lyrics of a song, or a half sentence we ourselves write down can touch the mystery of ourselves, and the . Kalliopeia Foundation. Okay. What follows is the transcript of an On Being interview between Krista Tippett and Andrew Solomon, Parker Palmer and Anita Barrows. Yeah. Limn: I think the failure of language is what really draws me to poetry in general. Its repeating words. Tacos. Because you did write a great essay called Taco Truck Saved my Marriage.. The Pause. I remember writing this poem because I really love the word lover, and its a kind of polarizing word. Theres whole books about how to breathe. I do feel like you were one of the people who was really writing with care and precision and curiosity about what we were going through. Theres shower silent and bath silent and California silent and Kentucky silent and car silent and then theres a silence that comes back, a million times bigger than me, sneaks into my bones and wails and wails and wails until I cant be quiet anymore. Tippett: I mean, even that question you asked, What am I supposed to do with all that silence? Thats one way to talk about the challenge of being human and walking through a life. Can you locate that? It comes back to these questions of like, Why do I get to be lucky in this way? And that was in shorter supply than one would think. Tippett: I have your books, and theres some, too. Before the new apartment. This is a gift. And that reframing was really important to me. We are located on Dakota land. And that there was this break when we moved from pictographic language, which is characters which directly refer to the things spoken, and when we moved to the phonetic alphabet. And it is definitely wine country and all of the things that go along with that. Nothing, nothing is funny. the world walking in, ready to be ravaged, open for business. Only my head is for you. On Being with Krista Tippett. You said there in a place, as Ive aged, I have more time for tenderness, for the poems that are so earnest they melt your spine a little. What a time to be alive, adrienne maree brown has written. And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. writes the word lover in a note and Im strangely, excited for the word lover to come back. when it flickers, when it folds up so perfectly And you mentioned that when you wrote this, when was it that you wrote it? A special offering from Krista Tippett and all of us at On Being: an incredible, celebratory event listening back and remembering forwards across 20 years of this show in the good company of our beloved friend and former guest, Rev. by being not a witness, When you open the page, theres already silence. Two entirely different brains. In between my tasks, I find a dead fledgling, And so, its so hard to speak of, to honor, to mark in this culture. Tippett: I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats [laughter]. But I think the biggest thing for me is to begin with silence. The bright side is not talked about. Theres this poem which Ive never heard anybody ask you to read called Where the Circles Overlap, Tippett: In The Hurting Kind. Tippett: as you said, to give instruction or answers, where to give answers would be to disrespect the gravity of the questions. But I think there was something deeper going on there, which was that idea of, Oh, this is when you pack up and you move. And I even had a pet mouse named Fred, which you would think I wouldve had a more creative name for the mouse, but his name was Fred. And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. It has ever and always been true, David Whyte reminds us, that so much of human experience is a conversation between loss and celebration. Before the koi were all eaten On Being, which began on public radio, has been named a best podcast by The New York Times, The Wall Street Journal, The Guardian, the Webbys, iHeart Radio with more than 400 million downloads. Tippett: Yeah, because its made with words, but its also sensory and its bodily. She is a former host of the poetry podcast The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. , and its a villanelle, so its got a very strict rhyme scheme. And I feel like the thing that always kept coming back to me, especially in the early days was, What does it do? Well right now it anchors you to the world again and again and again. I feel like theres a level in which it offers us a place to be that feels closer to who we are, because there is always that interesting moment where someone asks you who you are, even just the simple question of, How are you? If we really took a minute to think about it, How am I? Ada Limn is the 24th Poet Laureate of the United States. The conversation that resulted with the Jewish-Buddhist teacher and psychotherapist Sylvia Boorstein has been a companion to her and to many from that day forward. Find more of her poems, along with our full collection of poetry films and readings from two decades of the show, at Experience Poetry. I will say this poem began I was telling you how poems begin and sometimes with sounds, sometimes with images This was a sound of, you know when everyone rolls out their recycling at the same time. two brains now. Thats the work of poetry in general, right? Tacos. Because you did write a great essay called Taco Truck Saved my Marriage.. I love that you do this. a breaking open, a breaking Look, we are not unspectacular things. a certain light does a certain thing, enough Limn: And hes like, Are you trying to ask me what the weather is? [laughter] Im like, Yes. And theyre like, Oh, I didnt know that was a thing.. is so bright and determined like a flame, The conversation of this hour always rises as an early experience that imprinted everything that came after at On Being. And one of them this is also on. Limn: Yeah. We want to orient towards that possibility. It makes room for all of these things that can also be It holds all the truths at once too. And the next one is Dead Stars. Which follows a little bit in terms of how do we live in this time of catastrophe that also calls us to rise and to learn and to evolve. Limn: There was a bit of like, Eww, lover. [laughter], Easy light storms in through the window, soft Also because so much of whats been and again, its not just in the past, what has happened, has been happening below the level of consciousness in our bodies. inward and the looking up, enough of the gun, the drama, and the acquaintances suicide, the long-lost, letter on the dresser, enough of the longing and, the ego and the obliteration of ego, enough, of the mother and the child and the father and the child, and enough of the pointing to the world, weary. [laughter] I was so fascinated when I read the earlier poem. Limn: Yeah. We read for sense. no hot gates, no house decayed. These full-body experiences of isolation and ungrieved losses and loneliness and fear and uncertainty. Limn: And then you go, Oh no, no, thats just recycling. So thats in the poem. This conversation shines a light on an emerging ecosystem in our world over and against the drumbeat of what is fractured and breaking: working with the complex fullness of reality, and cultivating old and new ways of seeing, to move towards a transformative wholeness of living. Good conflict. Technology and vitality. how the wind shakes a tree in a storm But I love it. Return like a word, long forgotten and maligned. And you mentioned that when you wrote this, when was it that you wrote it? and the world. Yeah. I was actually born at home. In between my tasks, I find a dead fledgling, I dont even mourn him, just all matter-of-, fact-like take the trowel, plant the limp body, thing, forever close-eyed, under a green plant, in the ground, under the feast up above. And also that phrase, as Ive aged. You say that a lot and I would like to tell you that you have a lot more aging to do. This is a moving and edifying conversation that is also, not surprisingly, a lot of fun. people could point to us with the arrows they make in their minds. On Being with Krista Tippett. So Im hoping. And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. Theres also how I stand in the field across from the street, thats another way because Im farther from people and therefore more likely to be alone. that thered be nothing left in you, like As we turn the corner from pandemic, although we will not completely turn the corner, I just wanted to read something you wrote on Twitter, which was hilarious. And it was this moment of like, Oh, this is abundance. s wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. Tippett: Thank you. And when people describe you as a poet, theyll talk about things about intimacy and emotional sincerity and your observations of the natural world. That its not my neighborhood, and they look beautiful. And theres sort of an invitation at the end. Limn: It is still the wind. And whats good for my body and my mental health. All of those things. I mean, I do right now. Why did I never see it for what it was: Flipboard. My body is for me. [audience laughter] And it really struck me that how much I was like, How do I move through this world? Remembering what it is to be a body, I think to be a woman who moves through the world with a body, who gets commented on the body. The science of awe. How to make that more vibrant, more visible, and more defining? Thats how this machine works. Because I couldnt decide which ones I wanted you to read. Join these two friends and interpreters of the human condition for . And to not have that bifurcated for a moment. Is where that poem came from. Dont get me wrong, I do Its still the elements. Tippett: I feel like it brings us back to wholeness somehow. like water, elemental, and best when its humbled, And now Ill just say it again: they are the publisher of the 24th Poet Laureate of the United States. Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. Black bark, slick yellow leaves, a kind of stillness that feels, We point out the stars that make Orion as we take out. Its the thing that keeps us alive. They bring our nervous system and heartbeat and breath into sync and even into sync with other bodies around us. Yes I am. But I trust those moments. Theres how I dont answer the phone, and how I sometimes like to lie down on the floor in the kitchen and pretend Im not home when people knock. for the water to stop shivering out of the And isnt it strange that breathing is something that we have to get better at? unpoisoned, the song thats our birthright, Tippett: You see what I did? I also think aging is underrated. but I was loved each place. now even when it is ordinary. the collar, constriction of living. She hosts the On Being podcast and leads The On Being Project, a non-profit media and public life initiative that pursues deep thinking and moral imagination, social courage and joy, towards the renewal of inner life, outer life, and life together. And you have said that you fell in love with poetry in high school. is a murderous light, so strong. Starting Thursday, February 2: three months of soaring new On Being conversations, with an eye towards emergence. And also that notion and these are other things you said that poetry recognizes our wholeness. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. I was so fascinated when I read the earlier poem. If you live, and I never knew survival And I feel like theres a level of mystery thats allowed in the poem that feels like, Okay, I can maybe read this into it, I can put myself into it, and it becomes sort of its own thing. the high notes with a beer sloshing in the stands We value the ancient power of storytelling, and we get that good stories require conflict, characters and scene. This might be hard for some of you right here. And then it hits you or something you, like you touch a doorknob, and it reminds you of your mothers doorknob. Krista Tippett leaves public radio. Silence, which we dont get enough of. into anothers green skin, And it is definitely wine country and all of the things that go along with that. Draco, Lacerta, Hydra, Lyra, Lynx. And then you can also be like, Im a little anxious about this thing thats happening next week. Or all of these things, it makes room for all of those things. It brings us back to something your grandmother was right about, for reasons she would never have imagined: you are what you eat. Tippett: Well, a lot of us I think are still a little agoraphobic. And place is always place. Would you read this poem, The End of Poetry, which I feel speaks to that a bit. What if we stood up with our synapses and flesh and said, No. I feel like it brings us back to wholeness somehow. And theyre like, Oh, I didnt know that was a thing. [laughs]. Yeah. So, On Preparing the Body for a Reopened World.. So maybe just to use a natural world metaphor to just dip our toes into the water, would you read Sanctuary? Before the divorce. Or, Im suffering, or Right. Yet what Amanda has gone on to investigate and so, so helpfully illuminate is not just about journalism, or about politics. They bring us together with others, again and again. I am asking you to touch me. It began as "Speaking of Faith" in July 2003, and was renamed On Being in 2010. Then in 2018, she published a brilliant essay called "Complicating the Narratives," which she opened by confessing a professional existential crisis. Tippett: That just took me back to this moment in the pandemic where I took so many walks in my neighborhood that Ive lived in for so many years and saw things Id never seen before, including these massive Just suddenly looking down where the trees were and seeing and understanding, just really having this moment where I understood that its their neighborhood and Im living in it.
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